Villa Farnese

Villas Farnese

History of Villa Farnese

Villa Farnese Interior oval fresco and stairs

Villa Farnese is an Italian estate near Viterbo, around 55 km northwest of Rome. It stands on a hilltop site overlooking the medieval village of Caprarola and was built for Cardinal Alessandro Farnese, grandson of Pope Paul III, by Jacopo Vignola and his successors from 1557 to 1583.

The interior contains a series of frescoes that constitute one of the most important decorative cycles of the later 16th century.

The lower gardens were built between 1557 and 1583 to Vignola’s designs, while the upper garden and casino were built around 1584 to 1586 to designs by Giacomo del Duca.

Villa Farnese – Architecture and decoration

Villa Farnese gardens

The Villa Farnese was constructed on the foundations of a fortress begun in 1521 for Pope Paul III by Antonio da Sangallo and Baldassare Peruzzi. This accounts for its unusual pentagonal plan with arrowhead bastions, although the circular courtyard at the center of the structure was Vignola’s own design.

Vignola also designed the axial, terraced approach to the villa, with a straight road ascending from the village to an oval forecourt with rusticated loggia facing a fish pond. The forecourt is embraced by two symmetrical semicircular horse ramps rising to a second, larger, trapezoidal court, with staircases leading up to the villa itself.

These elements provide a magnificent spatial setting for the drafted masonry façade of the villa, articulated by two orders of pilasters in local volcanic stone. The design drew extensively on architecture at the Vatican in Rome, the seat of the patron’s power: the tripartite, fortified façade with central loggia (originally open) recalls Innocent VIII’s Villa Belvedere (1480s), while the double-ramped staircase in front of the villa and the triumphal-arch motif on the upper portico of the courtyard were derived from Bramante’s Cortile del Belvedere.

Villa Farnese statues in the garden

The contrast between the solid, massive lower story and the flat, abstract, geometrical upper stories, however, was characteristic of Vignola’s own classicizing Mannerist style.

The ground floor and piano nobile of the villa were planned with two sets of summer apartments on the north side and two winter apartments on the south, each with a salon, antechamber, bedroom, dressing room, and study. The basement housed service areas, while the small rooms in the top stories housed staff and retainers. In one of the angles at the front of the building is a monumental two-story spiral staircase; the opposite is a guard room and circular armory on the ground floor and a loggia and circular chapel on the piano nobile above.

The summer apartments were frescoed by Taddeo Zuccaro and Federico Zuccaro, although the illusionistic architecture on the walls of the Sala di Giove and the vault of the armory was designed by Vignola. After Taddeo’s death in 1566, Federico painted the Gabinetto dell’Ermatena, the circular chapel, and part of the Sala d’Ercole, all on the piano mobile.

interior of Villas Farnese

He also painted the guard room and four rooms of the winter apartment on the ground floor (excluding the salon). Jacopo Bertoia completed the Sala d’Ercole in 1569, executed the vaults of the stanze della Penitenza, dei Guidizi, and dei Sogni in the winter apartment on the piano nobile, and began work on the Sala degli Angeli (also in the winter apartment) shortly before his death in 1572.

The complex iconographical program, glorifying the Farnese family and addressing major political, economic, spiritual, and intellectual concerns of Cardinal Farnese, was worked out in consultation with the patron by such scholarly advisors as Onofrio Panvinio, who devised the scheme for the Sala dei Fasti Farnese; Paolo Manuzio, the Venetian and Roman publisher; Annibal Caro, the humanist secretary to Cardinal Farnese; Cardinal Guglielmo Sirleto, the Vatican librarian, who wrote the program for the Stanza della Penitenza; and perhaps also Fulvio Orsini, the Farnese librarian.

Villa Farnese – Gardens

Villa Farnese garden

The two walled lower gardens of the Villa Farnese were laid out to Vignola’s designs, in square parterres, with sculpture and fountains symbolizing the seasons and the regenerative cycles of nature. In the west garden—once linked by a pergola—are statues of Autumn and Winter and the Grotto of the Rain, a cave seemingly supported by six stucco satyrs with moisture dripping from the vault into a pond below. On the terrace above the grotto is the Fountain of Unicorns.

The north garden contains statues of Spring and Summer and the Fountain of Venus, with Venus flanked by two satyrs. At the junction of the two gardens is the Fountain of the Shepherd; water was designed to cascade down a rustic hill from two satyrs or fauns at the top, over a shell held by two nude water deities, to two terms and two reclining river gods flanking a statue of Mercury as the good shepherd.

Villas Farnese the garden

The upper gardens and casino were laid out by Giacomo del Duca in the 1580s. He incorporated into the design terraces, fountains, and sculptures. They are remarkable for the synthesis of natural and manmade elements.

The discovery of a new vein of water in 1616 led Cardinal Odoardo Farnese to expand the upper gardens by adding two lower pavilions, 24 herms surrounding the parterres in front of the casino, gardens, and fountains at the rear of the casino, and ramps connecting the front and rear gardens.

The architect was probably Girolamo Rainaldi. The program of the upper gardens has never been worked out in detail, but the major elements include statues of Oblivion and Silence flanking the Lily Fountain, a dolphin water chain flowing from the Fountain of the Chalice, which is in turn flanked by two river gods with cornucopias, and two unicorn and dolphin fountains.

Villa Farnese Location

Villa Farnesina Address: Via della Lungara, 230, 00165 Roma, Italy. Get directions using this map:

Villa Farnese Map

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